Prayer for the Icon Corner
Kaye Nash
Here’s to going to sleep early because there’s nothing to stay awake for,
here’s to waking up early just to invent a pocket of solitude in the day.
Here’s to washing down four Advils with a pot of coffee every morning,
here’s to the rash that spreads around my mouth like a bumpy red goatee,
makes me realize, for the first time, that people don’t look at you
when you look like hell,
makes me realize for the first time
that there is freedom in being publicly disgusting,
that there is privacy in suffering,
that there is a curtain that goes up between you and the world
when you’re locked inside your own shrivelled spirit,
that this is both restful and repulsive.
Here’s to puffing up the hill on the way to an early lecture, frost in my lungs,
here’s to my pageboy cut freezing into a solid helmet of auburn ice,
here’s to clean wet hair uncovered in winter that my mother said would give me pneumonia
but really only acts as nature’s hairspray, the cheapest
stiffest hold you can imagine.
Here’s to whipping out my phone to which I have saved
a picture of Tony Leung as my lockscreen,
here’s to his smooth stiff-held side part, the reels of film draped over
the perfectly tailored shoulders of his grey suit,
here’s to asking what time is it Tony
Am I gonna make it Tony
and here’s to Tony Leung, my only confidant,
who was always hurting like me for some ineffable reason
and still talking listlessly to a bar of soap,
pretending nothing had changed,
pretending he was really alone in the apartment.
Here’s to organizing concealer on my upper lip every morning,
rushing home between classes to scrub it off and readjust it,
squinting and trying to squeeze out a tear,
like Cameron Diaz in The Holiday,
except looking nothing like anybody’s Barbie,
and with no one finding the reticence charming,
because though I couldn’t squeeze out a tear, everything else
was always squeezing out in a mess, clamouring
to be heard, to be seen; no one looks up.
Here’s to that daily mantra, as I wish I could bite off my pinkie like they say you can’t even though
it’s the baby carrot of fingers, even my muddled brain still won’t
let it happen, which is a shame, because
maybe if I came out of the bathroom wrapped in bloody tissue
I’d get a little sympathy, someone would see
that I’m not well; then whispering instead of biting down.
Here’s to that daily mantra for the mirror,
stupid
ugly
worthless
frigid
BITCH,
Here’s to coming out and posing; the outfit, at least, is good.
And here’s to, for once, being grateful for homework,
for having to read 3 to 5 novels in a week,
here’s to projecting too far into a page and coming out
not happier but at least more understood,
calmer even with the coffee and the four Advils,
even though I’ll leave something pink from my colon
in the toilet later. Anna Karenina, knowing she’s being irrational,
knowing she’s lying to herself, that she is loved,
saying everything I ever think and feel
and then lying down on the tracks on the next page;
here’s to eschewing the Metro for the rest of the year
because I can’t stop thinking about Anna
blowing herself out like a candle as the whistle screams through her veil.
And here’s to moving out and moving on,
here’s to crampons over the ice every morning before sunrise,
here’s to birthdays I didn’t feel like celebrating,
here’s to French horns and baked apples and throwing the Advil out.
Here’s to giving an oral presentation about a Tony Leung movie,
in front of the class even though I had a rash all over my face.
Here’s to leaving.
Here’s to you.