“Notions”
Cassandra Moss
That nails are a ruse to deflect attention from too much skin; that sleep’s a lazy therapist not putting enough hours in; that the brains of gifted communists are kept somewhere in flame-retardant jars; that in the end, I actually won’t have spent enough time hanging out in bars; that maybe the universal translator isn’t absurd, maybe AI will eventually anticipate every alien tongue; that one day the people will turn around and say we don’t want to hear another new pop song; that rainbows should lower their expectations; that my organs are sentient and frequently bicker about my limitations; that lint doesn’t know it’s called lint; that unfiltered faces are beginning to look like they’ve been subjected to a death-like tint; that I feel like I’ve cracked time travel whenever I hear a landline ring; that NO ONE understands why gobstoppers were ever a thing; that we might all be someone else’s metaphor; that everyone’s ancestors fought in a war; that glottal stops enable some to convincingly describe things as lit; that cruelty persists because, to varying degrees, we’re all encouraged to enjoy it; that I often think of the day when a friend tried to explain to me these things called “memes”; that the phrase he wasn’t what he seemed is usually applied to an individual who is exactly as he seems; that in all honesty I probably shouldn’t have just pressed send; that in 100 years it’s likely there’ll be an Oscar-winning film with a scene in which someone tries to explain memes to a friend; that my sense of everything working out in the end might come from neurological oblivion; that there’s nothing trustworthy about the year 2121; that of course there won’t be a film and there won’t be a scene; that maybe in only two years’ time we’ll be unable to know if we’re a species who created memes or if we’ve always been in the meme or a meme of a meme or a meme of a meme of a meme or a meme of a meme of a meme of a meme.
Cassandra Moss was born in Manchester, England. She studied English with Film at King’s College London and subsequently worked in the film industry and then as an English language teacher. After doing an MPhil in Linguistics at Trinity College Dublin, she now works as a linguist and lives and writes by the sea. Her work has appeared or is forthcoming in Posit, The Passage Between, Sunspot Lit, Beyond Words Literary Magazine, Kairos Literary Magazine, The Bangalore Review, The Closed Eye Open, New York Quarterly, Causeway Lit, Spectra Poets, Drunk Monkeys, Interpret Magazine, and House Mountain Review.
Twitter: @CassandraPMoss
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